Staining The Timbre

It's little secret that I'm a fan of the high strange; weird tales of grim fantasy and supernatural supposition meant to scratch the parts of our minds that beg for answers to the unknown. Those that ring true give vigor to the falsities and, at its core, conspiracies as people most frequently intend amount to little more than world building exercises. You start with an established, objective fact and spin wildly from there. In this effort The Hillbilly Moonshine Massacre succeeds, eventually. The story's thrust follows Abraham Richards, a war veteran recently returned to Cattaraugus County, a backwater conglomeration of acreage that resembles a town as much as any other 500 population fly-over. Plagued by wartime traumas, and perhaps hoping a job might give him some much needed direction, Abe falls under the employ of Sheriff Cecil Kotto as the County's newest deputy. As any good pulp story asserts, the main character (Abraham Richards, in this case) will alway

To describe Chambers from only its trailer you'd say it was a young adult horror show with good scares but a middling story. Don't misunderstand me, you'd say, the story isn't bad, it's just nothing new. The issue, you'd insist, was the acting, or maybe the camerawork, or maybe you just didn't like the characters. The main character is a teenage girl, after all, and only half of us can really say we relate, right? You'd be...mostly right. There are problems with Chambers , let me say that up front. They're not egregious sins in the face of God to be repented by begged forgiveness. They are, however, simple things you wouldn't expect from a show of such quality storycraft . Before you can grasp how out of place they feel I think it prudent to explain how well made the show is as a whole. The plot itself is where the careful attention paid shines most brightly. After guiding us through the night main character Sasha's heart stops and

Poetry has never been my forte. I prefer prose only in that I don't have to try as hard, and as such I have a special respect for proper poets; those who can string a verse with poignancy and grace without fracturing the flow of the piece. These authors are in touch with themselves and their emotions more closely than I could ever hope to be, and that only comes from a place of brutal honesty with oneself. Coincidentally, that's exactly how I would describe Bedroom Music : brutally honest. You don't get that feeling when you first crack its pages, because the overture ("How to Give a Purple Otter Pop") is a brightly-light painting of youth tinged with Castor's characteristic physicality. It's a beautifully candid way to start the collection and serves as the foundation for the rest of the first half. The book itself is informally divided into two sections: the first focusing on experimentation ("Hacienda Avenue"), taking the knocks life serve